No one’s property
It took generations
Without scratching the surface
I know of three,
I know there was more
Many came and went
Many had their names erased
My strength built over centuries
Waiting patiently
I have learnt I am the past
How arrogant I have been
Knowing nothing of waiting
I took it, as if it was mine
Although alone we never stand
Generations pulsing through my veins
I am not myself today
I am the collective yesterday
Loudly crashing in
Undeterred
I’m here
And I can declare I belong to none
A woman built from the scars of history
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. No one’s property explores inherited identity, historical erasure, and female self-possession — reclaiming the self not as an isolated individual, but as a living force shaped by generations and belonging to no one.
Good is not a virtue signal
Good deeds each plant their own seed
Sprouting beauty into our lives
Slowly nurtured from the ground up
Taking root, unbreakable truth
We build the places in which we live
Shaping our world interconnected
A shadow rests heavy on our vanity
For all is not as it seems
Stars shining without regard
Unwittingly chasing riches
Forced to dismiss the good
In pursuit of utopian dreams
Take a look around
What do you see
Plant the seed
Spread the word
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. Good is not a virtue signal speaks to the moral difference between appearance and action — affirming that genuine goodness is cultivated through lived care, while vanity and hollow aspiration estrange us from what truly sustains the world.
This poem is available as a contemporary poetry print on textured recycled card.
No pebbles in a stream
Laying under the waterbed, so small
Rippling through the world, flowing with the current
Each journey taken together yet alone, uniquely shaping
Water flows without you, sun shines, and rains fall without your command
This life is yours
Inevitable hopelessness fills the pool; how many choices are yours?
Intersecting journeys pushing and pulling this way and that while we respond
Is this life, pebbles in a stream
Understand with what begins, motion follows
Is this us, collective followers
Like pebbles tumbling along the river of destiny set by higher forces
There is but one recourse to shift the sands, conscious thought
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. No pebbles in a stream reflects on the tension between fate and agency — considering how individual lives are shaped by larger currents, yet still altered by the awakening force of conscious thought.
This poem is available as a contemporary poetry print on textured recycled card.
A sense of something
Watching slowly
Piece by piece
You depart
Brick by Brick
Taken away
Lost to the crowd
Do this
Be this
Eat this
Don’t eat that
Don’t be sad
Can’t say that
Speak up
Leave room
Take up space
Live more simply
Life is complicated
Find balance
Work hard
Think less
Be mindful
Do you
Recycle thoughts
Time intersects
I feel you coming
A reckoning
Truth out
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. A sense of something explores the pressure of modern instruction and self-erasure — tracing a fractured world of commands, contradictions, and recycled thought until a deeper reckoning with truth begins to surface.
This poem is available as a contemporary poetry print on textured recycled card.
Holding
With all that I have, I bargain
Today we went swimming
Under a sun shining as if it always would
I held you, or at least I imagined it
Turned the record player on, swayed my hips
Wanting this moment to be longer
Yet I know, see it on your face
You would soon be gone
No more blues skies
My body numb again
If only you were more than a glimpse
Passing by like a familiar stranger
I thought I knew you once, perhaps in a dream
Holding onto a thread, falling into the abyss
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. Holding meditates on the ache of impermanence in love and longing — suspending a fleeting moment of warmth against the knowledge of loss, where desire reaches toward what can never fully remain.
Unknown Author
Despite my best efforts
I write in my dreams
Waking at dawn
With words of broken sleep
Sitting with coffee,
Half drunk, still warm
Last thoughts fading
Every morning the same
The music of my day
Restlessly I try to escape
Bed unmade; dishes can wait
A wishful thought
They call my name
Poetry vanquished
Who am I if I cannot be
I beg you, is there no room?
Better or worse to brighten the world
A thought to share
Every night a better life I dream
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. Unknown Author reflects on the fragile persistence of the creative life — capturing the tension between daily obligation and the inner necessity to make something luminous before the world pulls attention elsewhere.
Life as a continuum
Youth, the age of mistakes
With a smug smile, not I
A path well worn
Ending at regret, but why
We’ve seen it all before
The stories have been told
And still, judgment greets our door
But what if?
There are many twists and turns
Changes need to be made
And it’s never too late
To start anew at a later date
A sigh of relief
Wisdom takes time
Consciousness grows
No more I told you so
Just we’ve been there before
Time for something new
Age irrelevant
Knowledge to be learnt
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. Life as a continuum meditates on the generosity of perspective that comes with time — rejecting judgment in favour of growth, renewal, and the understanding that wisdom is never bound to age alone.
Life at a standstill
This day is desperate
It searches mediocre streams
Of minds unbothered
Unchanging formulas
In an ever-changing world
Falling behind
Today is yesterday
Disorientating in due course
Counting the grains of sand
Leaving no time at all
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. Life at a standstill speaks to the quiet paralysis of a culture trapped in repetition — where stale thinking and mechanical routines leave little room to meet the demands of a world already moving beyond them.
This poem is available as a contemporary poetry print on textured recycled card.
For no good reason
What if the world was closed
With you on the outside
Looking in, unseen
Would you stay or go?
Every morning this question
Life or death
Awakens the poor
Why?
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. For no good reason reflects on the violence of exclusion with stark simplicity — confronting the reader with the brutal arbitrariness by which poverty turns each new day into a question of survival.
We need to talk
The is no escape
Nobody has much to say anymore
A few good lines and a riff
Getting off to switching off
With a boozy Tuesday lasting all week
Talking football, what’s the score
A conversation not worth having
Being thoughtful gone I heard
“Think less, do more”
How peculiar I am, I thought
Now we’re only passing the time
Did you get that surf on the weekend
I’m just not sure what to say
The news isn’t good
Prospects poor
For now, we just pretend
Still, you want it wrapped in a bow
Or better yet, just not said
We’re sinking into a lie
With jingles playing in our heads
And the temperature is rising
From where I sit
Do you see what I see
It’s all just a frame of mind
Let me show you,
If you would move over a little, please
It’s time we exchanged…ideas
I belong here too
In this man-made world
Unbalanced
In a diverse world requiring a better view
Worth noting…
For the beauty yet to be discovered
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. We need to talk explores the erosion of meaningful dialogue in a distracted, performative culture — urging a more honest, inclusive exchange of ideas as the necessary beginning of social and moral rebalancing.
Overworked
Each morning I rise with hope
By afternoon weariness sets in
With a cloud of doubt, it descends
Taking with it the waking dream
This day was just the same
Expectations were not met
Time marched on by
Without a second to spare
I had imagined there would be more
In this post-industrial world
I had a dream or had been sold one
Of time in the sun
Sitting with a peaceful mind
Knowing this was enough
Contributing in one small part
To the work that must be done
Instead, I am just another cog
Waiting to be put to work
Waiting my turn
Waiting in line
Waiting for a paycheck
Waiting to be fed
Waiting for the weekend
Waiting to be finished
Waiting to be dead?
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. Overworked reflects on the quiet brutality of labour under modern life — capturing how exhaustion, repetition, and deferred hope can strip existence down to survival, until even death begins to sound like the final item in a waiting line.
What goes around comes around
Life is beautiful
Is it not?
Why would we be here
If it were not
Life deserves …
Dignity
Respect
Truth
Life must have …
Peace
Love
Joy
Beauty is a connecting force
No fortress can hold
What is a universal truth
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. What goes around comes around reflects on the moral clarity at the heart of existence — affirming dignity, truth, peace, and beauty as enduring values that no system of force can ultimately contain.
The guard
Beware
What refuses to be known
Festers unhealed
Too fragile, too painful
Passed from one to the next
Through generations
Stepped upon
Driven down
The way we do it
Becomes the only way
The guard does not let go
Lets no light in
Let’s talk about it
The things that cannot be said
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. The guard explores the inherited silence surrounding pain — revealing how what remains unspoken can harden across generations until the act of naming becomes the first necessary opening toward truth and healing.
This poem is available as a contemporary poetry print on textured recycled card.
Some days are
For rest
For building strength
For gathering thoughts
For embracing love
For being still
For the quiet
For watching,
The sun move across the kitchen floor
Some days are
Better than others
And some just need to pass
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. Some days are meditates on the grace of gentleness — honouring rest, quiet, and emotional endurance as essential parts of living, rather than interruptions to it.
This poem is available as a contemporary poetry print on textured recycled card.
160.33 585 2246 900 0001 0019 7436 2
Our debt comes due
All will know the cost
Add it up, tally the toll
Deadly silence in a barren land
Money in a dust storm, all that is left
Death to life
Counting down
Till the penny drops
No more… more, the echo sounds
As the last window closes
We are locked in
And so the night begins
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. 160.33 585 2246 900 0001 0019 7436 2 speaks to the cold arithmetic of consequence — turning debt, silence, and enclosure into a stark reckoning with what is owed when destruction has already been counted in full.
This poem is available as a contemporary poetry print on textured recycled card.
Aesthetics
Fresh cut flowers on the windowsill
Sun streams in, the room is set
Only, we are pacing the aisles of the megastore
Searching for happiness stacked on a shelf
Another Saturday sacrificed
New garden to seed, room to redecorate
All wilted by next season’s palette
Kingdoms built today by a life compromised
Just a click or tap away
Always though, a step too far
Made to break; never to last
Why is the question for the day
Back to the flowers
Sometimes sticks will do
Add a touch of imagination
And you may find…where beauty resides
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. Aesthetics reflects on the tension between consumer desire and true beauty — suggesting that what nourishes the spirit is rarely found in accumulation, but in attention, impermanence, and the imaginative act of seeing differently.
This poem is available as a contemporary poetry print on textured recycled card.
A long winters night
I feel myself drawing in
As the night begins to fall
Shorter days, starry nights stir
What has been and gone
Laying to rest past regrets
Moving ever forward
Never still, the rhythm of life
Another ending has come
Something new begins
A chance reflection flickers
Flames glowing into the unknown
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. A long winters night explores the intimate stillness of seasonal change — finding in darkness, reflection, and release a quiet faith that every ending carries the first flicker of renewal.
This poem is available as a contemporary poetry print on textured recycled card.
Instant noodles ruined the world
Everything is faster now
Time at the two-minute mark
Knowledge sits on a shelf, collecting dust
While we restlessly delay
Scrolling through life
Bellies bloated; souls empty
Labour scorned for taking too long
Ageing held in contempt
Are we there yet?
Where are we going again
Too late, time’s up
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. Instant noodles ruined the world speaks to the spiritual cost of speed — tracing how convenience, distraction, and impatience hollow out thought, labour, and meaning until time itself feels both squandered and gone.
This poem is available as a contemporary poetry print on textured recycled card.
On the edge of madness
Summer has come to an end
Autumn is at the door
Winter just around the bend
Spring was less than expected
Today was unprecedented
No rest had come the night before
Discontentment fed the machine
Happiness was never met
Greed grew from a selected few
Until they were all we knew
Spilling into the middle
Guarding their debt
Followed one after the other
Marching to the edge, no sideward glance
Are you keeping up?
Are you wanting more?
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. On the edge of madness reflects on the restless momentum of a culture driven by greed, dissatisfaction, and false aspiration — asking what becomes of a society that keeps marching forward without ever questioning where it is being led.
Who are we?
Mirror, mirror on the wall
Lust took thoughtful minds
Confined by earthly things
Hanging by a thread
We have forgotten or never knew
All is not as it appears
Filtered reflections, empty answers
That nagging inner voice never rests, who are we?
There is hope if we care to know
-Camille Delaquise
This poem appears in The Precipice, Camille’s third contemporary poetry collection. Who are we? meditates on the crisis of identity in an age of distortion and desire — suggesting that beneath illusion, vanity, and material distraction, the deeper work of self-knowledge still waits to be claimed.
This poem is available as a contemporary poetry print on textured recycled card.