Just a dreamer
Today I made a mistake
Tomorrow I will learn a lesson
Yesterday I had a dream
My travelling tales
My smile lines
My tear stained cheeks
Failed to be fortunate
Fortunate to have failed
Fostering formidable foundations
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. Just a dreamer speaks to the quiet resilience of becoming — reframing failure, memory and aspiration as the very material from which a fuller, wiser self is made.
This poem is available as a contemporary poetry print on textured recycled card.
Coming home
After the storm has passed
The devastation is there for all to see
How does one rebuild from rubble?
If the rubble will not rise
What lays in ruin was weak
Rebuild a new configuration
One from strength and hope
Forming new beginnings
Look at past mistakes
Pass through this passage
An enlightened future awaits
Reflections foster a better life
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. Coming home speaks to renewal after collapse — suggesting that what survives devastation is not the old structure itself, but the chance to rebuild a life on stronger, wiser and more hopeful foundations.
No box to tick
Don’t try and define me
In your definition of me I will not be found
I do not fit in a box of containment
I have not four equal sides
I have jagged edges
Extending in directions of their own
In new directions I find unexpected strength
For they are the direction of mine only
The contradictions are marvellous
Imprinting individual marks
The makeup of wonderment
A changeable and expanding soul
Searching the sphere for contentment
The body vessel does not define
For it is a spiritual quest to fulfill
A sense that is intangible
But as real as you and I
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. No box to tick speaks to the irreducible complexity of identity — rejecting confinement, easy labels and imposed definitions in favour of a self that is fluid, contradictory and spiritually alive.
This poem is available as a contemporary poetry print on textured recycled card.
What a pity
The sand slipped through the hand
It was in the grasp
But with careless abandon it was lost
The weight of it went unnoticed
In a busy world that whizzes by
Distracted by so much noise
No quiet space to contemplate
What true intention knew
The gap would give way
And takeaway any chance
To hold together and mould
A solid base to stand strong
On the sand that could
Have built the stone
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. What a pity speaks to the quiet tragedy of neglect — how what might have become lasting and foundational can be lost through distraction, carelessness and a failure to recognise its value in time.
This poem is available as a contemporary poetry print on textured recycled card.
The nature of creation
I sway in the tree of dreams
Far from the ground of harsh realities
This freedom comes to mind
From a view seldom seen today
The peaceful breeze carries me,
away in a daydream
Into a new world of discovery
How refreshing it is to breathe
Deep, with no sense to hurry
The man-made deadline absent
In the nature of time aligned
In space this was created
To set the centre stage alive
This is the place to visit to remind
The mind where it ‘set in motion’
The imaginative exploration for tomorrow
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. The nature of creation speaks to imagination as a restorative force — suggesting that true creativity begins where urgency falls away and the mind is free to return to wonder, rhythm and possibility.
This poem is available as a contemporary poetry print on textured recycled card.
Welfare diversion
The hand that was drawn up
Forging a way for equality
Lifting up the downtrodden
To gaze on a new horizon
One full of possibilities
Only equality can deliver as progress
Slowly now this hand withdraws from need
Lending itself to a wealth of misdirection
Pushing down the desire to rise
Against a machine that counts
Human suffering as profitable
Herding contemporary slaves to order
This violence goes by deprived of need,
insisting in its legitimacy
While denying legitimate needs existence
Scorning welfare with such triumph
The hand of need falls down in shame
So the welfare cuts become entrenched
An easy diversion to subsidies
Into an ever narrowing wealth pocket
That will hold the helping hand captive
Crumbling democracy in its tight grip
Fading is the social design to support
The protection of a safety net
And the demise will not spare
The separation of the enterprise
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. Welfare diversion speaks to the political betrayal of social care — exposing how systems built to uphold equality are hollowed out when public need is sacrificed to protect private wealth and entrenched power.
This poem is available as a contemporary poetry print on textured recycled card.
52
52 weeks I will have waited
For the man in green
In the middle of the field
6 minute allotments
Never enough to finish
Even one conversation
We live worlds apart
But tarred by the same brush
I wonder who you are now
The man I never knew
The time goes slow
Visits took two days of travel
And one week of recovery
Time was counted
Down by months
Until the day will come
When my time will be done
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. 52 speaks to the long ache of separation shaped by institutional control — where love, identity and belonging are reduced to brief, inadequate fragments of time.
The alien refugee
I am told they are not found
Until at least a human tries to flee
From one land across a sea
Then the threat is unreal
The guns come out to greet
These humans from the same planet
The alien now declared real
These illegal aliens with human hearts
Travelling to seek refuge
From a home unsafe to stay
Saddened to need a new home
Unlucky to find the lucky may not share
This shared planet earth
With plenty to share in diversity
Amongst a group of human beings
But no aliens live here on Earth
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. The alien refugee speaks to the dehumanising language used against those seeking safety — exposing the cruelty of turning fellow human beings into outsiders on a planet that belongs to us all.
This poem is available as a contemporary poetry print on textured recycled card.
Experience forms understanding
Never forget the sum of who we become
Is life experience in additions
Adding advantage or disadvantage with prejudice
This collected sum of knowledge,
Can be disconcerting when in context
As exposure to experience is individual
And individual knowledge is limited
The view may only expand in this knowledge
Humanity becomes the tool of choice
Weaving together this patchwork to connect
Creating a join in these experiences
Where dominance by one patch cannot be
As the whole story is only revealed
When the quilt is spread out on even ground
And the quilt of humanity becomes shared
By the warmth of understanding
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. Experience forms understanding speaks to empathy as something built, not assumed — suggesting that only by honouring the uneven realities of lived experience can a fuller, more humane understanding emerge.
This poem is available as a contemporary poetry print on textured recycled card.
Renting time
Time our most valuable commodity
With an unknown expiry date
So what is your time worth trading for?
The expenditure for reward is the value determination
Rarely does the negotiation reach this degree
Instead the lucky ones hang this degree
Displaying how fortunate they were
To have this time to spend
Should not this commercial exchange
At least afford time to live well
With a roof, a meal and in good spirits
And do not forget that time
Should not be exchanged for suffering
It is just a short-term rental
Which should be returned by good care
Never to be enslaved by denial of dignity
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. Renting time speaks to the moral value of labour and life itself — questioning a world in which human time is traded without guaranteeing dignity, care or the basic means to live well.
I am saddened to have grown
I wish I could be that child again
The one that believed good prevails
Even though it was the same one
that learnt it was not so
Bring back Santa Claus
with his good cheer
For the one that rewards good deeds
is the one I can revere
But he was no more real
than the good deeds appeal
For now I have to know this burden
but what to do with it I do not know?
I have never learnt to live well
in this ‘cruel world’ and now I am delayed
I wonder about those who do,
and who was their teacher?
Are these the ‘growing pains’
they so casually speak of?
If so spare me this pain
for I cannot bare to become
the monster under the bed
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. I am saddened to have grown speaks to the grief of innocence lost — mourning the painful transition from childhood faith to adult moral awareness, while resisting the hardening that cruelty so often demands.
This poem is available as a contemporary poetry print on textured recycled card.
The day has passed me by (not to try)
In the years that have passed by
Time always seemed to be behind
At 15 I was too old to try
At 30 I was just old
Now the time really does go by
Without regard for what you do
Passing by lost opportunities
On a slideshow of what could have been
‘Walk don’t run’ your time is now
In the only present moment that matters
These are ‘The Good Old Days’,
Even when they’re not
This is the day that passed by without regret
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. The day has passed me by (not to try) speaks to the fragile relationship between time, regret and self-permission — reminding us that life is not recovered through nostalgia, but inhabited through the courage to meet the present as it is.
This poem is available as a contemporary poetry print on textured recycled card.
Don’t take me to be a fool
I too know this game you play
The illusion of the unseen,
But only by the eye
Intuition plays here too
Untangled is the fact in fiction
While fiction lays tangled in itself
Inescapable from the fact that it is fiction
Fiction tells a lot about the truth
Truth the fear of fools
Who narrate without care for it
Consequence is a patient force
Sneaking up on the fools that fooled themselves
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. Don’t take me to be a fool speaks to the tension between deception and discernment — asserting that truth may be obscured by performance, but never fully escapes the quiet intelligence that recognises it.
Encouragement
The proof that nobody
ever did anything alone
the secret ingredient
that all success needs
the words that make
you believe
that what you hold
is the real thing
worthy of beholding
It can be the one
comment that will uplift
the worthless to
take a seat
at the table
and share their gift
Teachers know this
cheer well and use it
to restore to the lost
their something
unique to love
It is this simple
this kindness
that takes the courage
from encouragement
and serves it to
the best of abilities
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. Encouragement speaks to the transformative power of affirmation — showing how simple, generous recognition can awaken courage, restore worth and help a person bring their gift fully into the world.
What would you say if you knew?
What would you say
if these were the last
words to pass between
the last moments to share
before everything changed
take these moments with care
for there are things
that we cannot know
precious moments pass quickly
into the memories
of either regrets
or cherished times,
so take the time
bite the tongue
embrace the heart
leave it on a note
that will play
sweetly for many
years to come
for you may not
know this will be…
the end
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. What would you say if you knew? speaks to the fragile finality that shadows human connection — urging tenderness, restraint and emotional honesty in the moments we too easily assume will return.
This poem is available as a contemporary poetry print on textured recycled card.
Fear of failure
That stone that stopped
The stepping stone
From being thrown
And lay instead
Trying not to sink
Not wanting to go under
Fear of exposure
Has stalled this stone
The lack of motion
Blocking the passage
That passes down
This river of marvels
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. Fear of failure speaks to the paralysis of self-doubt — the way fear can halt movement before life has even had the chance to carry us toward growth, risk and discovery.
Love
Love all that is beautiful
Love all that is ugly
So that love is all that remains
In a happy state of mind
A matter of choice
Love cancels out hate
Hate cancels out love
Which is the lighter load?
Carry one or the other
Befriend the heavy one
To lighten both loads
And love the journey together
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. Love speaks to love as a conscious moral practice — one that embraces complexity, softens division and offers a lighter, more humane way of moving through the world.
This poem is available as a contemporary poetry print on textured recycled card.
Public opinion
This interchangeable mood
In the dark, it is dark
In the light, the mood lightens
The change of perspective is costly
The bids are high, owned and operated
Guided to inform identity
Without respect to identifying one’s own
Thoughtful consideration stopped, as the idea was given
Without time to stop and ask who, where and why?
The idea is adopted as one’s own
Was this a gift or a ‘Trojan Horse’?
This idea that was given without the personal touch
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. Public opinion speaks to the manufactured nature of collective belief — exposing how identity and perspective can be quietly shaped by forces that present influence as information and persuasion as thought.
Asleep at the wheel
To tired to lift the head
To see the crash ahead
The enchanting lullaby
Playing in the background
The collective cannot rise
Their tired eyes
Their job is done
Please take the wheel
The yawning will fall
Lost in a sleepwalk
Summoning a release that will not come
Blissful unconsciousness will not last a mile
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. Asleep at the wheel speaks to the danger of collective exhaustion — a state in which passivity, distraction and depleted agency leave people vulnerable to drifting blindly toward harm.
Artful way
The process starts to explore
Colours outside the perimeter
Made in thoughtful stages
Mistakes are most welcome
Sudden unexpected delight
The shapes start to form
As it comes into focus
The process must go on
For the things that were
Not known until
A scribble was crafted
-Camille Delaquise
This poem appears in Behind the Facade, Camille’s debut contemporary poetry collection. Artful way speaks to creation as a process of discovery — embracing uncertainty, error and intuition as the very conditions through which something meaningful comes into form.
This poem is available as a contemporary poetry print on textured recycled card.